BroodingSideOfMadness

Souls' Betweenness / Centrality Betweenness

2011-05-30T11:21:00.025+03:00

Walk accompany ἐπορεύετο γὰρ τὴν ὁδὸν αὐτοῦ χαίρωνam on my way depart departed departure λέγει αὐτῷ ὁ Ἰησοῦς· πορεύου, ὁ υἱός σου ζῇ. ἐπίστευσεν ὁ ἄνθρωπος τῷ λόγῳ ὃν εἶπεν αὐτῷ ὁ Ἰησοῦς καὶ ἐπορεύετο. following go go on their way go away goes going αὐτὸς δὲ διελθὼν

διὰ μέσου αὐτῶν ἐπορεύετο.going away gone indulge journey journeying leave proceed proceeded pursued a course sets started traveling walking way went went

Centrality Closeness KD

His way went on their way went their way. Καὶ εἰπὼν ταῦτα ἐπορεύετο ἔμπροσθεν ἀναβαίνων εἰς Ἱεροσόλυμα.

Centrality Closeness

διὰ μέσου αὐτῶν ἐπορεύετο.going away gone indulge journey journeying Καὶ νῦν ἰδοὺ ἐγὼ οἶδα ὅτι οὐκέτι ὄψεσθε τὸ πρόσωπόν μου ὑμεῖς πάντες ἐν οἷς διῆλθον

Centrality Betweenness KD

leave proceed proceeded pursued a course sets started traveling walking way Οἱ μὲν οὖν διασπαρέντες διῆλθον εὐαγγελιζόμενοι τὸν λόγον.

Centrality Betweenness

Οὐ θέλω γὰρ ὑμᾶς ἀγνοεῖν, ἀδελφοί, ὅτι οἱ πατέρες ἡμῶν πάντες ὑπὸ τὴν νεφέλην ἦσαν καὶ πάντες διὰ τῆς θαλάσσης διῆλθον Therefore those who were scattered abroad went around preaching the word. αὶ οὕτως εἰς πάντας ἀνθρώπους ὁ θάνατος διῆλθεν, ἐφ' ᾧ πάντες ἥμαρτον·

Centrality Degree

ὃς διῆλθεν εὐεργετῶν καὶ ἰώμενος πάντας τοὺς καταδυναστευομένους ὑπὸ τοῦ διαβόλου

Centrality Degree KD

Centrality (Betweenness, Degree and Closeness) of Piraeus network. Used NetworkX, OSM data, Ubuntu 10.04, Kernel Density, Bible :P

'Gegen Ami', 'Heavy' and 'In Monster's Booth' tracks

2011-05-11T22:50:00.001+03:00

'Gegen Ami' from Blue Lions On the Wall film uploaded here.
Also two old tracks 'Heavy' (2002) and 'In Monster's Booth' (2006).

'The Derelict House' new track

2011-04-08T02:21:00.005+03:00

New track uploaded here.

An innate kindness for siblings / spouses or taught to cherish by force?. Αbnegation. Religious. The forthcoming ambitious project. Monolithic audio sculptures.

'Death By Tartan' new track

2010-12-02T00:48:00.002+02:00

New track called 'Death By Tartan' uploaded here

'Neck Insects', 'DeTV' and 'f Nucleosis' new tracks

2010-09-26T13:30:00.004+03:00

'Neck Insects', 'f Nucleosis' and 'DeTV' by BroodingSideOfMadness

New tracks uploaded!

'Blue Lions On the Wall/ Confronting Silence Ecstatic' @ Naoussa International Film Festival 2010

2010-09-08T23:46:00.006+03:00

Naoussa International Film Festival
Naoussa, Greece 2010
Experimental Films section
Screening Room 3
Blue Lions On the Wall will be screened 1 October 16.20 session. Check the full program here

'Blue Lions On the Wall' and 'Jerszy' @ Abstracta, Rome, Italy 2009

2009-07-02T13:49:00.008+03:00

ABSTRACTA
International exhibition of abstract cinema
Roma, Isola Tiberina
25, 26, 27 August2009

Blue Lions On the Wall and Jerszy will be screened 27 August, 21,30 - 23,30 session. Check the full program here

'Beggar' @ Athens Fringe Festival Athens 2009

2009-06-15T01:39:00.002+03:00

"Performer proposes through the contradistinction of her actions. She waits and hopes something to be born, she plays with the embarrassment and the void. The audio visual environment refers to the daily sounds of enclosed spaces we live and create. Performer moves improvisational and articulates the text."

Authentic Movement is an expressive improvisational movement practice that allows a group of participants a type of free association of the body. It was started by Mary Starks Whitehouse in the 1950s as "movement in depth". In the Authentic Movement aspect of Whitehouse’s approach, the moving participants (movers) are passively observed by a witness, who ‘contains’ the experience of the mover by witnessing their movements without judgement, projection or interpretation. In this way the witness is also an active participant, as witnessing is a practice in observing one’s own sensations and impulses while observing the mover’s. It's important to note that Whitehouse created many individual, dyadic and group experiences to create a context for moving from inner sensation and whole-body experience. Authentic Movement is a term coined and developed by Janet Adler that has become identified with Whitehouse but which doesn't entirely encompass her contribution.

Technopolis Room D6
Performer: Despina Hatzipavlidou
Video: U. Cassavetes
Music: BroodingSideOfMadness
Assistance: Marianna Makri, Apostolos Karydogiannis

Duration: 35mins
Dates:
16/6 22.00
17/6 23.00
18/6 22.30

'There Is No Soul, Alone' @ 4th Crash Festival Salonica 2009

2009-06-10T01:21:00.001+03:00

Best Audio Band Award for 'There Is No Soul, Alone' music piece for 'Interspersed In Walls' @ 4th Crash INTERNATIONAL STUDENT'S SHORT FILM FESTIVAL

CRASHFEST is the annual International Festival of Students’ Short Films organised by the Film Department, School of Fine Arts, Aristotle University of Thessaloniki, Greece.

FB

'Interspersed In Walls' @ backup_festival, Weimar 2009

2009-05-01T13:36:00.002+03:00

Backup is a festival for film and video productions developed using digital tools, and also a stock-taking within the realm of 'new media'. backup began in the European Cultural Capital Year of Weimar that was celebrated in 1999. backup stands for films and videos, which, by creatively dealing with different methods of production and modes of expression, reflect, define, and re-define the limits and possibilities of cinematic formats. 'Interspersed In Walls' @ Backup_festival 2009 will be screened on May 2009.

Bakcup_festival

'Interspersed In Walls' @ NIIFF Digital Shorts, Naoussa 2009

2009-04-20T13:49:00.002+03:00

'Interspersed In Walls' @NIFF Digital Shorts, Naoussa 2009 will be screened on May 2009.

NIFF

If Music Could Talk VI 20-03-2009

2009-03-19T13:47:00.000+02:00

If Music Could Talk VI 20-03-2009 23.00 @ Obi Uptown
The sixth annual Joe Strummer Tribute Party.

Free entrance

Video: Blue Lions On the Wall [2009]

2009-02-16T22:41:00.000+02:00

Falling and declining, the classical representation starts to revolve around the creative use of colour: humanizing the imperfect, idealizing the human and supporting the inadequate, blue lions are heading towards Ecstasy.

Blue Lions On the Wall

Writer/ Directed: U. Cassavetes
Music: 'Gegen Ami' by BroodingSideOfMadness
Editing: AddTech/ ReUsed Parts

Time: 2.07 min
Production Year: 2009
'You: Coma'

1952 - 2002

2008-12-22T09:34:00.001+02:00

Great British Food: the proccess of unlearning how to make music

2008-12-10T23:56:00.009+02:00

There's a new project going on. The process of unlearning how to make music. A cross-continental web audio project with my good friend Pedro St Pedro. An international venture between Athens, Greece, and São Paulo, Brazil. It was born about one or four weeks ago. Exploratory and influenced by the DIY and Messthetics scene of the late 70's.I think the name stands for any paradoxical proof, no matter how unbelievably obvious it is. Additionally, I have a soft spot for some Britons ;). The ghost of spectacle reigns the land. A series of audio attacks to the established genres have been uploaded. The first set is:

1. Lampada de Gás

2. Trilha Sonora 1 (indie não é independente, o folk não é o folk - os tempos mudaram e o que fazem hoje se chama conservadorismo)

3. Torneira

4. Toreador Ejaculation

5. Foes Are Fantastic Teriyaki Friends

Check out Here

'Maria Nefeli' Is A Slut

2008-12-02T23:34:00.003+02:00

Cause all her impulses do not escape stereotyping.

C for Charlie
A for Alfa
U for Uniform
S for Sierra
E for Echo
Space
A for Alfa
L for Lima
L for Lima
Space
H for Hotel
E for Echo
R for Romeo
Space
I for India
M for Mike
P for Papa
U for Uniform
L for Lima
S for Sierra
E for Echo
S for Sierra
Space
D for Delta
O for Oscar
Space
N for November
O for Oscar
T for Tango
Space
E for Echo
S for Sierra
C for Charlie
A for Alfa
P for Papa
E for Echo
Space
S for Sierra
T for Tango
E for Echo
R for Romeo
E for Echo
O for Oscar
T for Tango
Y for Yankee
P for Papa
I for India
N for November
G for Golf

Axis In Engineer's Wishbone / Choses Extérieures

2008-12-01T01:57:00.003+02:00

The axis leads to a curious waiving wish to observe from extracted unbiased place, indicative - the preference for perception concerning the exterior things.

Fuer Isidore

2008-11-27T00:25:00.003+02:00

Teh nede for fiimlc diocaoettumnn ledas the Asiittncos to deolevp dna reusnrotcct eht iologcnoy of the hppneiang ofrm a lesilefs and rvpiresese ricdorneg itno a tnordeumes caiimetnc erncixeepe. Scuh fmiilc dioouaecntmnts seem, boefre Epdenxad Cemnia dha rlaley eemegrd, ot exeecd the cosutm maens and smnitcaes of rrasoetenptien, the from and the cnentot itelsf, csuniag a rdacail dleepnmeovt of a new aracppoh of eth nrtaue of flim and the bdoy as sbaatnstiul mieatral to it. Teh vaitl rloe of spcae and tmie and tsi mnotlaiuipan yb the fmielmakrs fo hte Aicionstt Gorup gvae the imeutps to the senocd gieeortnan of the Aartuisn aanvt-gadre dcriorets and teihr Eeraoupn citeoeaornrpms. Le boisen de dtetuocoanimn fqluiime mnèe l’Asnociitts depévpoler et rrrosucntiee l’igoocionle de l’éévenenmt d’un eeningtreesmrt snas vie et rsseirpéf dnas une enicérexpe cnéorqtauigmapihe émnroe. De teells dtnnatouimcoes fiqumleis sbeelmnt, aanvt que le cimnéa augnetmé ait vmnierat éegmré, dspeésar les mnyeos de cutmoue et la séqtiamune de la rnériaettopsen, de la fmroe et du cotnenu elle-mmêe, etnraînnat un dnpeevloepmét racidal d’une nlvuoele archppoe de la nautre du flim et le crops en tnat que meirtaél stubentaisl lui. Le rlôe etnisseel de l’epcsae et du tpmes et sa maolaipuntin par les riaérteausls de flim du grpoue d’Astcoiint ont dnoné l’iosmuplin à la duixmeèe gaontiréén des dceitricers areennitcihus d’anvat-gadre et de luers cpnaeoiotrnms erepéunos. Die Neeidogwknitt an den flcmihisen Uegentlran frhüt das Aiottncsis, den Iocoglnoy des Voerimsnmksos von enier lelbeosn und reprsvesein Auhnmfae in enie uregunhee fliimshce Eaufhnrrg zu eknecwiltn und wdeier aezabfuuun. Shlcoe fliiemschn Urnegaletn shineecn, boevr eeetrirwets Knio wiikrclh ataughcfuet war, die Gtmsiehtntweheiol und die Stiaemnk von Deslaulrntg, von From und von Ialnht sseblt zu üsgeeirbten und vuscrheraen enie rkldaaie Etukinlcnwg eenis neeun Kopneztes der Bhihsacfneefet des Feimls und den Krpöer als ebhelhceris Meitaarl zu ihm. Die lwsenicitbeghe Rlloe des Ruames und der Ziet und sniee Hdhnaanbug ducrh die Fcemehlmair der Asicontit Guppre gbean dem ziwteen Ezguenrug der öserrchtsiiceehn Agreetnraddioeartkvn und irher eecrhäpisoun Zgsoenetisen den Atsnoß.

'Interspersed In Walls' @ Abstracta, Rome, Italy 2008

2008-09-10T01:17:00.001+03:00

ABSTRACTA

International exhibition of abstract cinema

In 1951, the artist and film-maker Cobra, Jean Raine, organized an exhibition of Abstract Cinema in Liege, Belgium, which saw the participation of the masters of cinema in the 1920s and 30s – Léger, Duchamp, Dulac, Ernst, Veronesi, Len Lye, Richter, Henry Moore and others. Abstracta Exhibition is featuring 200 films from around the world.

'Interspersed In Walls' will be screened @ Abstracta Film Festival this September in Rome, Italy.

The dead fauna of cities reminds us the truth

2008-08-20T00:21:00.003+03:00

Aug. 2008

Clocks Go Slow When Your're Away From Home

2008-06-14T01:32:00.005+03:00

Tribute to the Jandek 1978 cover.

I choose 'Les Choses'

2008-05-31T19:07:00.008+03:00

Lucky flower Kokeshi doll

Fields in the rural inner-land owned by the parents of urban working early dirty-something 'Jugend'. Rents and houses. Paternal 60s Junta real estate investements. Olives trees and 'Rooms to let' signs finance the struggling youth in metropolis. The Incomes from unknown activities. Money from the grandfather. The family supports its children here in South-eastern Europe. That's what we like and how they've been taught to accept. Let tradition speaks. The 'black work' [sic] extends the life of Greek family. Current status: We're just moments away from facing the decadent reality of the western values and pace. There are some people living marginalized. ..others feeding themselves with the side products of société conservative ideas. The balkan wet dream of west-east combination is about to be lost. There are some people choosing the 'VERSATILE' word as a life concept. C'est la nature. When poverty will bang on the door you'll see their desperate faces. At the end of the day we'll be left mit our Kultur und Dinge. ..with all our gathered choses. The vintage relics of a 20th century nostalgia.

Kasimir Malevich Teapot and Tea Cup

I choose 'Les choses'. A house micro-cosmos with all les objets du désir. A Pallade, and a Stadio. Kunstwerke@home. Unfortunately, there are no party ordered/commissioned Malevich-es anymore. We've been left alone, floating... the EU sponsored arty lifestyle dictatorship of my citta. The excuse for the air they breathe extending their predictable lives.

'Interspersed In Walls' @ 5th Avant Garde Film Festival

2008-05-17T00:17:00.002+03:00

'Interspersed In Walls' and 'Amour Lettristique' @ 5th Avant Garde Film Festival will be screened on 22 May 2008.

Avant Garde Film Festival

'Amour Lettristique' @ 5th Naoussa International Short Film and Video Festival

2008-05-05T00:01:00.003+03:00

5th Naoussa International Short Film and Video Festival 8-11 May 2008

11 May 2008 : 'Amour Lettristique' will be screened for the Digital View section.

Flaky Paradox

2008-02-18T21:35:00.005+02:00

How could we assess the web of a city and its effect on the residents’ mental disposal? Is every urban status the result of the eternal interactions of residents’ mental disposals? Where there are interactions there are frictions; fermentations through loose or tight collectiveness. Is there any chance for the opposite? Each moment of city could be accidental; could be explicitly defined by the degree of withdrawal or even deterrence of its residents. The mob likes to mingle. The city is a crib by now. Carnivorous urban planners and their dying breed. The city has an enormous sedative region; acting as a joyful drug for them. Region/Area/District/Place/Spot/Neighbourhood all those boring names. A preset walking path. A recreational area. A sunny beach. The limestone pavements by the sand y los palmitos. A gathering spot. Mental junk-food. Wander or live peacefully.

Tools: Proposed walk from: Heaven to Food [Is that all you need?] Next time: Time Travel Maps

1.61803399

2008-01-18T21:42:00.001+02:00

Athens Hilton 2008

The golden proportion- these are your choices. What you like. What you live. Your street. When you lean your head. The spooky coincidences. Your criticism. The observer's words are untold declarations of embarrassment. ...Something else should always have been said. Ruins of the 70s decade. The cheerful immigrant takes care of his bright white-painted garden. Einstuerzende Neubauten - they fill with new couples. What is that thing which makes you so powerful? What is that thing which justifies each thought of yours on stage? From which magic source do you draw your audacity?

If Music Could Talk V 2007 @ Mad Club

2008-01-02T16:26:00.001+02:00

If Music Could Talk V. The fifth annual Joe Strummer tribute party in Athens. Here's my playlist (partial):

Joe Strummer - On the Beginnings of the Clash
Letsagetabitarockin - 101ers
Lets Have A Party - Wanda Jackson
Jailhouse Rock - Dean Carter
Trash - New York Dolls
Brand New Cadillac - Vince Taylor & His Playboys
Latin Goes Ska - The Skatalites
Whine and Grine Stand Down Margaret - The English Beat
The House Is Rockin - Brian Setzer Orchestra
Revolution Rock - The Clash
Turn It Down (Turn Your Lamp Down Low) - Dr. Ring Ding & Senior All Stars
Ranking Full Stop (Version) - The English Beat
Rudie Cant Fail - The Clash
Pony Express - Pioneers
The Magnificent Seven - Joe Grushecky and the Houserockers
Dont Follow Babylon (Blood and Fire Meets Wai Wan Remix - Dub Shop Style) - Ranking Joe
One Chord Wonders - The Adverts
The Guns Of Brixton - The Clash
I Fought the Law - Stray Cats
A Message to You Rudie - Joe Strummer & the Mescaleros
Whats My Name - The Clash

Corpus / Bestial

2007-12-07T00:49:00.000+02:00

In the meanwhile.... "...there is no beginning and we do not tremble, we are not sentimental. We are a furious Wind, tearing the dirty linen of clouds and prayers, preparing the great spectacle of disaster, fire, decomposition..." Tristan Tzara

Two cultures clash. Two different mentalities. Transatlantic & Mediterranean. M: Dance by force. M: Participate by force. T: The proud patron stand up and sing his karaoke thing. T: It's his moment. M: Natives dance together. Choose. What's the difference between them? Individuality vs. Mass.

'Flesh Me' @ PlatformaVideo 2007 Independent Film Festival

2007-11-05T09:30:00.000+02:00

PLATFORMA VIDEO7, the annual independent film festival hosting two competition sections, a series of film tributes and parallel events, is held on 7-12 December 2007 at the Athinaϊs Cultural Multispace, downtown Athens. 'Flesh Me' will be screened for the Audience Prize Competition.

Towards A New Reali$m

2007-10-14T05:38:00.000+03:00

Small towns fight any surrealist tentacle. They are the keepers of the realism's realm. Small town delis. Bulk buying. Sedated. Live a good life and avoid unsafe places. Western stereotypes are the pillars of reality. Clothes made in China, Peru, Macao, Colombia, Thailand, Mauritius. Could they feel free without history's tons on their shoulders? They prepare future. I excuse some of their mistakes. Uncharted, unwritten. They're brave enough to draw a path for the future. Not a stylish one, but it is a path.

In A Real World....

2007-10-11T05:04:00.000+03:00

Shoe salesmen drive nation's aesthetics. Scarecrows visits tall signs in the middle of nowhere. Skyscrapers are the last viable fragmented space in the gargantuan nature. Modded cars for cheap tacky luxury, things of a past. News flash. 'Italian mobster shoots a lobster!'. Plastic pastiche helmets will save the 50+ years old macho dignity. Bem vindos aos Estados Unidos da América.

Low frequencies and wooden floor

2007-09-16T17:50:00.001+03:00

Four enclosed walls. Bang your head on the wall of madness and rouse yourself from thoughts. Unorganised preparing for eternal nothingness. Could 30hz freqs tranquil the body? "I hate the big decisions that cause endless revisions in my mind.". Daniel is in the lion's den.

'Waiting' @ 1st Thessaloniki Biennale of Contemporary Art

2007-09-13T22:15:00.000+03:00

Project “PUBLIC SCREEN"

In the need to address the concept of “heterotopias” under today’s terms within contemporary societies, the Public Screen project attempts to redefine the relationship between contemporary art and the public-urban space.

In the text titled “Des Espaces Autres-Heterotopies” of 1967, Michel Foucault identifies heterotopias as real places as opposed to utopias that constitute locations without an actual place, an ideal version of society or a reversal of actual places.

The heterotopias are functional places, within the societies, with explicit, established principles as well as rules for access and transit. As examples of such spaces, the author uses cemeteries, psychiatric institutions, prisons, nursing homes, gardens, museums, libraries, record offices, as well as festivals, Turkish baths, cinemas, brothels, colonies and ships; according to the author, the later ones are considered as the major aspects of heterotopias.

Heterotopias are associated with the concept of time in complicated ways. In certain cases, such as in museums and libraries, time is accumulated endlessly, while in festivals, time has a recursive appearance.

In the modern globalized market, the manner in which works of art are produced and distributed has certainly changed, nevertheless, it has never stopped being a process of an economic nature in which the artists and the consumers have diverse potentials of access.

The purpose of this project is to bring together and expose works of art, screened in selected sites of the city, which utilize the medium of photography or video.

Curated by: Syrago Tsiara

Watch Waiting film:

Thessaloniki Port, 1, Warehouse A, Museum of Photography
[Monday 17/9 to Sunday 30/9 Screening hours: 9-12:30 PM.]

thessalonikibiennale.gr

Corpse Geographies

2007-09-10T22:19:00.001+03:00

The space becomes perceptible through pain. The urban spatial extent is fragmented in areas: commercial centre, industrial region, campus, recreation areas. All these uses follow an urban planning that is dictated centrally. There are possible economic and disciplinary profits through the exploitation of residents' behaviours within the common acceptable limits. The degree of predictability of human behaviours is related positively with the effectiveness of the repressive and marketing mechanisms. The defeat is imminent even if you will invert the land use. The invention of new geographies should be painstakingly articulated. Do not forget the signs of corruptness and incuriosity. Follow the alleys and you'll bump into them.

City of Needles Pt. III

2007-08-22T23:51:00.000+03:00

The shift of action was inevitable. Up there, watching the city from the bird's eye view the only rapturous luminous fireworks were ours. Two ebony horns pulled above tally up to the sky of Maya. Beware of the Supremat Saliva!

Territories Reimagined: International Perspectives

2007-08-21T23:54:00.000+03:00

A psychogeography festival in Manchester, 19th - 22nd June 2008

Call for Papers and Projects

TRIP

* Psychogeography
* Neogeography
* Deep topography
* Urban interventions
* Locative media
* Collaborative Mapping

Between June 19 and 22, 2008, TRIP brings together artists, academics, movers, shakers, do-ers and dissenters in a unique event combining an interdisciplinary conference with a city-wide series of actions, exhibitions, and screenings. TRIP enables the previously separate worlds of theory and practice to interact, initiating new approaches and energies, and furthering techniques to take on and alter the physical environment.

Beginning as a reaction to the industrial revolution, the re-imagining of the city by romantics, bohemians, and avant-gardists evolved into a diverse range of strategies, practices and arguments, from the psychogeographic drift or derive to the artistic intervention. By the 1990s these were being utilised by artists, writers, activists, and historians, attempting to negotiate urban and rural space in the post-modern world.

But practices developed in the twentieth century encounter a different world in the twenty first - a more observed and policed world on the one hand, a more corporate, globally-connected world on the other. Increasingly the body, social, individual and political, is the site of contradictory demands - the demands to consume versus the demands of control.

TRIP will be based at Manchester Metropolitan University, on the city’s main southerly corridor, Oxford Road. But we want events to take place throughout Manchester, in as wide a variety of spaces and venues as possible. Like many northern cities, Manchester is changing fast. Perhaps you want to critique the implications of “regeneration”, or perhaps you want to stimulate new ways of engaging with an increasingly consumerised environment. Maybe you’re passionate about the possibilities of inventive walking and drifting, or maybe you’re a performance artist aiming to change the energy of a public space. Wherever you’re coming from, TRIP wants to hear from you with your ideas.

To submit a paper, you should send an abstract outlining your subject and the key points of your presentation.

To submit an idea for an intervention, performance or a walk involving members of the public, please outline in one paragraph the aims and ideal locations for your project.

To submit an idea for a gallery-based project, please outline in one paragraph the thinking behind your installation or work.

Please try to keep your paragraphs to a maximum of 200 words. And don’t forget your contact details. Deadline for submissions: October 1st 2007.

Submissions should be emailed to: TRIP@mmu.ac.uk

The festival proceedings will be fully documented and recorded, and an edited volume of essays, art and photography will be published at a later date.

City of Needles Pt. II

2007-08-20T23:22:00.000+03:00

The Unforeseen: me exhausted, the Conditions: me killed. The bitterness I've been given;
Utterly divided. Each evening in disreputable places. The tobacco moistens the eyes and sweated bodies seek a damned faith in what they do. Satta now, don't vex. Will the needles in black lungs give a solution?

Observe

2007-08-13T15:30:00.001+03:00

The role of observer is a convention, a fault, a mask of excuse that covers all the senses of joy. Observer's 'talk' is hyper analytical. The reasons of observer are untold statements of embarrassment. In the reasons of observer something else should always have been said. It is his medicine of repression. It is the safety of observation.

Video: Das Dasein und die Ablehnung des Spektakels [2005]

2007-08-09T23:13:00.000+03:00

Das Dasein und die Ablehnung des Spektakels
['Dasein' and the Denial of Spectacle]

Concept and Music: BroodingSideOfMadness
Time: 40 min
Production Year: 2005
'VAIA'

Video: Inside A Metal Nutshell [2004]

2007-08-05T15:08:00.000+03:00

Writer/ Directed: BroodingSideOfMadness
Music: 'Inside A Metal Nutshell'
Time: 4.39 min
Production Year: 2004
'VAIA'

Concealed moments of an unforeseen small family feast, which we are compelled to see concealedly behind a metal curtain. We are reconciled with the idea of loss and end. We know that 'outside' it is daylight and that we are quite far from an illness.

We Are The Dots Of A Catastrophic Umlaut Word

2007-07-30T23:14:00.000+03:00

'We Are The Dots Of A Catastrophic Umlaut Word'
Athens July 207

Life Without A Compass

2007-07-30T22:36:00.001+03:00

The emblem as a concealed human characteristic of pathology.

A. Wealth B. Appearance C. Place.

The 'call for attention' via pessimistic/optimistic attitude of life. The two identical streets. The false sanctification of personal space. Two bodies are colliding. Two lives sharp as razor blades. Thrown in lousy districts.

We all have certain looks, aspects ready to use. We equip them all the time. How much they accommodate us!. But now all the things are equivalent, really quantic. Yes and No are mixed together. So fast and funny. I am 'above' you are 'under'. You don't even have to speak. The terror in front of joy. The extreme improvisation in the use of objects is a supreme art.

Because we live. Lean your head. You had a good life. Is it safe for me to say 'Are you dead?'? You taught us how to be agnostic.

Small Steps Are Dusted Jewels In Long Halls

2007-07-21T19:35:00.000+03:00

'Small Steps Are Dusted Jewels In Long Halls' [Collage 2007]

Miniatures FoL

2007-07-13T00:14:00.000+03:00

The necessity of war as daily practice in the interpersonal relations. The greatness of verbal cleanliness. The time healer of the greatest human atrocities as an alibi for the unexpressed innate malice. Revisions of post -Vienna documents.

Video: Interspersed In Walls [2007]

2007-07-11T23:37:00.002+03:00

Interspersed In Walls

Writer/ Directed: U. Cassavetes
Music: 'There is No Soul, Alone' by BroodingSideOfMadness
Editing: AddTech/ ReUsed Parts
Actors: Aggeliki Matopoulou, BroodingSideOfMadness

Time: 2.17 min
Production Year: 2007
'You: Coma'

It is a difficult, brutal and at the same time hetero-destructive life-game, played without any rules. As the personal stagnant pool of the heroes has - with characteristic certainty - become their own life, that game requires predetermined results from its participators. They should intersperse and scatter their mental reserve in between the cementitious walls of their action space and each one of them should create the impression of repeated happiness – infelicity. The impression will have a big soothing force. The game of the heroes is supposed to be finished, even if the last ones decide to free themselves, to gather the pieces that have penetrated the dam of walls and reverse a pre-programmed mesh of commands, which are always related to the viewpoint of gender and its expected stereotypes.

Video: Jerszy [2007]

2007-07-11T21:41:00.001+03:00

Jerszy

Video: U. Cassavetes
Music: 'A Dying Breed of Urban Planners' by BroodingSideOfMadness

Time: 3.14 min
Production Year: 2007
'You: Coma'

The deformity and abandonment of natural space constitute an absolute metre for the final mental collapse of Jerszy. His body has been absorbed by the sovereign urban parameters, as it pushes every dehydrated human sensory to contribute in the death of hero. As an idea, henceforth Jerszy, and incarnating each hopeless and optimistic forecast for an ideal relation of the city - individual, he will try with a heart-breaking voice to enter in the world of absolute lack of body control, in order to survive in the space of the collective impositions’ drama.

Video: Amour Lettristique [2007]

2007-07-04T13:01:00.002+03:00

Amour lettristique

The probability of sentimental transcriptive narration. The fight for a cinema without pictures. The lettristic model as the minimal possible line in a clearly possible altered pseudo-normality. The phonemes of passion are opposed to the given filmic residues of academism.

Writer/ Directed: U. Cassavetes
Music: 'Amour lettristique ' by BroodingSideOfMadness
Editing: AddTech/ ReUsed Parts

Time: 1.59 min
Production Year: 2007
'You: Coma'

Video: Flesh Me [2007]

2007-06-09T19:08:00.000+03:00

Flesh Me

Video and Music: BroodingSideOfMadness
Voice: U. Cassavetes

VAIA 2007

No sentimental condescension with the likely spectator and in particular with the facility which is proposed by the hero-from the first moment- takes place without dysfunctional optics. This happens as the hero tries to restore a rationalized attitude toward a very limited life, with which it cannot even reconcile itself. Thus the flesh becomes the base for the search of rudimentary humanity and mainly the deeper means for a need for communication that exceeds the limits of very socially protected tolerance for love. The question is, however, how much the hero might incorporate the right flesh in his life and mainly becomes a new and spiritual part of it without pain and mental loss.

Screening of 'Flesh Me':

[13 June 2007 - 17 June 2007]
DIPEAP VideoArt Exhibition
Dimotiko Politistiko Parko St. Kotsis
Themistokleous & Spartis
Ag. Paraskevi, Athens

Tribute to European filmmakers Festival – Trianon Filmcenter 17-23/5 2007

2007-05-19T18:24:00.001+03:00

From 17 to 23 May and within the framework of its regular screenings the Greek Film Archive is presenting a tribute to European filmmakers at the Trianon Filmcenter (Codringtonos 21 & Patission 101), in collaboration with the British Council, the Goethe Institute, the Greek Film Centre, the General Secretariat for Equality, the University of Athens Pregraduate Studies program for issues of Gender and Equality, the German Film Archive and the LUX distribution company. Communications sponsor: The Hellenic Broadcasting Corporation ERT S.A.

Check out the screening of 'Waiting' film. (Music by BroodingSideOfMadness 'Momentar Jump To Eternity')
[Wednesday 23 May 2007 : 19.00- 21.00]

Here I Come Berlinalmeria

2007-05-16T12:37:00.000+03:00

Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage. Hommage.

Description: The space becomes perceptible, dystopian and futuristic. Commercial centre, industrial region, campus, recreation zones. The supremacy of geometry. Algebraic forms and wounds of the flesh. Al-Mariyat, the great beacon. Please, draw a line from Berlin [ 52°31'14.73"N , 13°24'33.79"E] > Almeria [ 37° 1'5.67"N , 2°22'50.66"W] > Bonar Bridge [ 57°53'35.94"N , 4°20'33.02"W]. The Ruins of the 70's decade. 'Just married couples' populate the destroyed new buildings. We are the newborn Klaus! Klaus constitutes - for the modern western cities - an element of social inversion.

Quantum Tunnelling

2007-05-14T00:31:00.001+03:00

Drive that fast!. Oh my Quantum Tunnelling. Those huge rusty barriers. Explode; the leaves of a malfunctioned tree. It's the falling timber, again.

Crash Festival 2007

2007-04-24T00:41:00.000+03:00

One more festival entry. This time it's the Crash Festival 2007 in Salonica, Greece. We participate/compete in the 'Exprerimental Films' section. The film is called 'Waiting' and I wrote the music piece called 'Momentar Jump To Eternity'. Please check out the screening dates. Film has the #49 number.

[Thursday 26 April 2007 : Room 1 - 16:00]
Museum of Cinema - Port

[Friday 27 April 2007 : Room 3 - 18:00]
ΙΕΚ AKMI (Venizelou & Tsimiski 14)

[Sunday 29 April 2007 : Room 1 - 16:00]
Museum of Cinema - Port

Useful links:

Experimental Films Competition
Full Schedude

Here's the full credits:

Waiting [GR, 2006]

Writer/ Directed: Ursula Cassavetes
Music: BroodingSideOfMadness
Assistance: Thanos Papoulis
Actors: Georgia Thanou, Costas Varotsos

The waiting, as divergence from a delimited horizon of expectations but also as a cancellation, constitutes the basic questioning of "Waiting". Two persons seem to wait for anything and they apply to their anxienty/ indifference a different structure of patience: the woman reacts quite mechanically and she’ s suffering, she’ s full of stress and passion, whereas the man’ s reaction is pathetic and overdriven by an exhausting mysticism. Between the two of them, lies the immaculate gap of all applied communication techniques and dexterities.

The ostensible communicational intercourse of the two central characters will never take place, as the logic of waiting has reversed the levelling of expectation and reversely. The solution, as at least it will be presented in the imaginary level of the two persons, will be absolute and unexpected, interrupting not only the process of the waiting but of the development, too.

Music holds a descriptive role, trying to elect the non synergy of the two characters. The two elements, as the melodiousness and the brutal metronomic rhythm, should be converged into a single form. Using the deconstruction according to the big tradition of ‘dub’ music, it is searched if finally this is feasible. Through the pattern ‘whole - abstraction – solution’, the spectator is imported violently in the waiting and he is called to identify the two characters with the two basically elements of the musical part.

Athens Video/Art Festival 2007

2007-04-17T13:25:00.000+03:00

There are two entries in Athens Video Festival this year you should check out. Matiko is the 1/3 of our documentary team and during the last months we work on our Greek Civil War documetary project . We share a common love for the UK 60's free cinema and music. I edited his 'Dub One' video. He made the video and audio part. Ursula Cassavetes is my partner in our artistic explorations and she's heavily into Marta Meszaros, Kasimir Malevich and Asger Jorn. I wrote the music for her great 'Asunder' video . The music piece is called 'Too Many Video Games / Rotten Brain'. It's great to know that there are some people living in the same city with such great interests.

[ Saturday 28 April 2007 : Room B'. 16:00 ]
Ursula Cassavetes - Asunder [2006]

[ Sunday 29 April 2007 : Room A'. 16:00 ]
Matiko - Dub One [2007]

Projections Schedule

Self mutilo-censorship

2007-04-16T09:47:00.000+03:00

Censored and exhausted. I'm going to abandon all my projects and stick to a white collar day. People are easy going. The Monday's boring talks and goodmornings. Car repair talks and weddings en provence. Where do they sell this happy flesh mask? I could be your samaritan. Today. I could be your evil thought. No, the tide is low and i should have known this. At least I had a good deed last weekend. Now pass me the razor camera and fake for me.

POKE 53280,0 POKE 53281,0

2007-04-04T09:44:00.000+03:00

It should be black, shouldn't it be? :(

Farewell

2007-04-01T16:02:00.000+03:00

In a posh neighbourhoods living things die, you know. No matter you stroll in lame 'pedestrian walks'.

Alamut Transmission

2007-03-28T09:08:00.000+03:00

Yes, I am. ...And feelings too. Fucking hell.

Kernel

2007-03-25T18:39:00.000+03:00

Day #2. The whole system is malfunctioning. Some hidden processes recompiled old code snippets of the past. The results are erratic. Vulnerable. Is ‘lost + found’ a sustainable place for us?

Neurochemicalities

2007-03-24T19:51:00.000+02:00

I returned to Africa. The landscape is sandy and windy. 'Pass me that lager top'. It's the fifth time in twenty years. Packed with great music of the past and all the dreadful connotations - This morning, I called all my super heroes for help: Fontela Bass, Derek Bailey, Joe Strummer, Betty Carter, Roddy Frame, Big Joe, Sun Ra,Trinity, Mark Stewart, Art Ensembe of Chicago,Patrick Fitzgerald, Go Betweens, Slits. No luck. This land is vast and I should cross it on my own. “…Why did you have to go and pick on me?”

Dance Theatre: Contact [2007]

2007-03-20T09:24:00.000+02:00

Contact by 3=4
Dance theatre performance

20 March and 23 March
Epi Kolono

Performers: R. Papadopoulou , D. Hatzipavlidou
Video: U. Cassavetes
Music: BroodingSideOfMadness

Music Pieces:

Part A: Preliminary
Part B: 1. Etched Love 2. Etched Love (für ein Mädchen)
Part C: 4. Change My Heart Beat

Time: 40min
Production Year: 2007

Video: Geh' dran! [2006]

2007-02-28T00:17:00.000+02:00

Writer / Directed: U. Cassavetes
Music: "Turkish" by BroodingSideOfMadness
Time: 1.20min
Production Year: 2006
'You: Coma' and 'VAIA'

Asger and Guy are talking in a turkish bath close to Omonoia Athens.

Video: Airplane-Catchers [2006]

2007-02-27T20:40:00.000+02:00

Writer / Directed: Thanos Papoulis
Shot / Editing: U. Cassavetes
Music: "The Planecatchers" and "Terminax" by BroodingSideOfMadness
Actors: K. Karakostas, O. Paraskevopoulou, A. Tombros
Time: 7.01min

'You: Coma' and 'Downwards'

The WT Issue

2007-02-21T14:37:00.000+02:00

They certainly do not reveal the whole truth. Sure, it's an issue here. and so it may end up being better to not reveal the whole truth. Reveal the whole truth or not? do not reveal the "whole truth, and nothing but the truth." Does it mean that someone is telling lies? So we make a truthful statement that does not reveal the whole truth. I googled a little bit and all my search results were very exotic and biblical ones. Finding out that he did not reveal the whole truth in his recent statements to the Vatican. Vatican, the Bible, Polish archbishops, Jesus etc. This means that the Buddha did not reveal the whole truth for more than forty years after he had attained enlightenment. Cut. Less trustworthy because they did not reveal the whole truth. I entered again the Barbican Centre. However, she still does not reveal the whole truth. The gates area was muddy and blurred. He will not reveal the whole truth to any other church. Clouds of procastination and those yellow birds of baltimore. Do not reveal the whole truth of the situation on the labour. The ponds and the lame nachos boxes. However, this figure does not reveal the whole truth. It's a matter of pure affection if you could understand.

Video: Waiting [2006]

2007-02-12T16:01:00.000+02:00

Writer/ Directed: U. Cassavetes
Music: "Momentar Jump To Eternity" by BroodingSideOfMadness
Assistance: T. Papoulis
Actors: G. Thanou, C. Varotsos

Press Any Key

2007-02-10T21:17:00.000+02:00

Future. The huge rusty barriers are still out there in the dark ocean. The time is fragmented. Sure, they've found a way to live from an old book of rules. Do you want to give you phoney freedom? - Glimpse - OK, then. You are allowed to press any of those concrete keys. You had your chance. This is the beginning of the end. Everything is out of control. How many chargers do we have to get? We do not propose. We do not give solutions. Why do you insist on this? Such a bitter taste in your mouth... I think there's a chance for the creation of our personal mythologies. The patriarchs of shaping are dead by now. They only have to worry about their servers. Dica // mois. Could we create a past according to our needs? I want... I want... my fingertip and a blood stain. Spare memory cartridges! Please. Step on it and feel the crash.

Video: Dub One [2007]

2007-01-13T18:45:00.000+02:00

I finished the editing of Matiko's Dub One.

Title: Dub One
Shot/Audio: Matiko
Editing: BroodingSideOfMadness
Time: 4.25min
Production Year: 2007

Follow Me

2006-12-29T15:50:00.000+02:00

Trackpoint N36 41.119 E22 25.149 31/7/2005 10:38:55 πμ 248 m 16 m 0:00:01 58 kph 253° true
Trackpoint N36 41.116 E22 25.139 31/7/2005 10:38:56 πμ 248 m 17 m 0:00:01 61 kph 245° true
Trackpoint N36 41.112 E22 25.130 31/7/2005 10:38:57 πμ 249 m 15 m 0:00:01 55 kph 242° true
Trackpoint N36 41.108 E22 25.119 31/7/2005 10:38:58 πμ 250 m 17 m 0:00:01 61 kph 245° true
Trackpoint N36 41.104 E22 25.110 31/7/2005 10:38:59 πμ 251 m 15 m 0:00:01 55 kph 242° true
Trackpoint N36 41.100 E22 25.100 31/7/2005 10:39:00 πμ 252 m 17 m 0:00:01 61 kph 245° true
Trackpoint N36 41.096 E22 25.090 31/7/2005 10:39:01 πμ 252 m 17 m 0:00:01 61 kph 245° true
Trackpoint N36 41.092 E22 25.079 31/7/2005 10:39:02 πμ 253 m 17 m 0:00:01 61 kph 245° true
Trackpoint N36 41.089 E22 25.070 31/7/2005 10:39:03 πμ 254 m 15 m 0:00:01 55 kph 242° true
Trackpoint N36 41.085 E22 25.060 31/7/2005 10:39:04 πμ 255 m 17 m 0:00:01 61 kph 245° true
Trackpoint N36 41.080 E22 25.050 31/7/2005 10:39:05 πμ 256 m 18 m 0:00:01 65 kph 238° true
Trackpoint N36 41.073 E22 25.041 31/7/2005 10:39:06 πμ 257 m 18 m 0:00:01 65 kph 228° true
Trackpoint N36 41.068 E22 25.030 31/7/2005 10:39:07 πμ 258 m 18 m 0:00:01 65 kph 238° true
Trackpoint N36 41.061 E22 25.021 31/7/2005 10:39:08 πμ 260 m 18 m 0:00:01 65 kph 228° true
Trackpoint N36 41.056 E22 25.014 31/7/2005 10:39:09 πμ 261 m 15 m 0:00:01 54 kph 230° true
Trackpoint N36 41.050 E22 25.006 31/7/2005 10:39:10 πμ 263 m 17 m 0:00:01 60 kph 224° true
Trackpoint N36 41.045 E22 24.997 31/7/2005 10:39:11 πμ 264 m 16 m 0:00:01 59 kph 235° true

Follow you.

Dawn Is Breaking

2006-12-29T15:40:00.000+02:00

for S.

Die Fliege (Social Network #2)

2006-12-27T02:17:00.000+02:00

Das rote rothaarige Mädchen mit einem statistischen Herzen innerhalb der grossen erstaunlichen Apfelendlosschraube, die das Audiosculptors schwarz malt. Alle Fehler. Demoliert. Suche. Die Krone. Die Fliege Brüste und die Butter. Ein Film wird bald freigegeben:

Die daemonischen Gesichter.

Du lebst. Du stirbst. Interessierst du dich für die Tiere? Die Hölle. Das Gift. Ein sofortiger Blick eines Auges. Das Auge der Fliege. Sie entbidet Energie von Musik. Dieses ist ein merkwürdiger Platz. Ich möchte ihr Haar berühren können. Betätige die Schlüssel. Die Strichleiter der auferlegten Superkronen folgt dem majestätischen Element unserer Furcht, tief innerhalb der Gebärmutter ihrer Mütter.

Αυτόματος. Βαβέλ.

21.8.1952 - 22.12.2002

2006-12-22T00:30:00.000+02:00

we miss you.

Clues for Destiny

2006-12-15T01:25:00.000+02:00

TP,D, 38.01439000, 23.80643000,04/04/2005,14:50:17,1
TP,D, 38.01422000, 23.80639000,04/04/2005,14:50:32,0
TP,D, 38.01409000, 23.80636000,04/04/2005,14:50:34,0
TP,D, 38.01398000, 23.80632000,04/04/2005,14:50:36,0
TP,D, 38.01306000, 23.80615000,04/04/2005,14:50:38,0
TP,D, 38.01297000, 23.80613000,04/04/2005,14:50:41,0
TP,D, 38.01297000, 23.80600000,04/04/2005,14:50:46,0
TP,D, 38.01302000, 23.80587000,04/04/2005,14:50:48,0
TP,D, 38.01310000, 23.80568000,04/04/2005,14:50:50,0
TP,D, 38.01319000, 23.80546000,04/04/2005,14:50:52,0
TP,D, 38.01323000, 23.80536000,04/04/2005,14:50:53,0
TP,D, 38.01330000, 23.80525000,04/04/2005,14:50:54,0
TP,D, 38.01334000, 23.80514000,04/04/2005,14:50:55,0
TP,D, 38.01340000, 23.80491000,04/04/2005,14:50:57,0
TP,D, 38.01351000, 23.80469000,04/04/2005,14:50:59,0
TP,D, 38.01355000, 23.80461000,04/04/2005,14:51:00,0
TP,D, 38.01360000, 23.80450000,04/04/2005,14:51:01,0
TP,D, 38.01364000, 23.80439000,04/04/2005,14:51:02,0
TP,D, 38.01373000, 23.80418000,04/04/2005,14:51:04,0
TP,D, 38.01377000, 23.80407000,04/04/2005,14:51:05,0
TP,D, 38.01381000, 23.80394000,04/04/2005,14:51:06,0
TP,D, 38.01381000, 23.80383000,04/04/2005,14:51:07,0
TP,D, 38.01381000, 23.80370000,04/04/2005,14:51:08,0
TP,D, 38.01381000, 23.80358000,04/04/2005,14:51:09,0
TP,D, 38.01383000, 23.80345000,04/04/2005,14:51:10,0
TP,D, 38.01383000, 23.80332000,04/04/2005,14:51:11,0
TP,D, 38.01381000, 23.80321000,04/04/2005,14:51:12,0
TP,D, 38.01381000, 23.80306000,04/04/2005,14:51:13,0
TP,D, 38.01381000, 23.80293000,04/04/2005,14:51:14,0
TP,D, 38.01381000, 23.80282000,04/04/2005,14:51:15,0
TP,D, 38.01379000, 23.80270000,04/04/2005,14:51:16,0
TP,D, 38.01379000, 23.80257000,04/04/2005,14:51:17,0
TP,D, 38.01375000, 23.80235000,04/04/2005,14:51:19,0
TP,D, 38.01368000, 23.80220000,04/04/2005,14:51:21,0
TP,D, 38.01364000, 23.80207000,04/04/2005,14:51:23,0
TP,D, 38.01358000, 23.80197000,04/04/2005,14:51:25,0
TP,D, 38.01353000, 23.80186000,04/04/2005,14:51:27,0
TP,D, 38.01347000, 23.80173000,04/04/2005,14:51:29,0
TP,D, 38.01340000, 23.80160000,04/04/2005,14:51:31,0
TP,D, 38.01334000, 23.80145000,04/04/2005,14:51:34,0
TP,D, 38.01327000, 23.80132000,04/04/2005,14:51:37,0
TP,D, 38.01323000, 23.80124000,04/04/2005,14:51:39,0
TP,D, 38.01319000, 23.80104000,04/04/2005,14:51:41,0
TP,D, 38.01319000, 23.80083000,04/04/2005,14:51:43,0
TP,D, 38.01317000, 23.80070000,04/04/2005,14:51:45,0
TP,D, 38.01315000, 23.80059000,04/04/2005,14:51:49,0
TP,D, 38.01308000, 23.80053000,04/04/2005,14:51:52,0
TP,D, 38.01300000, 23.80053000,04/04/2005,14:51:54,0
TP,D, 38.01289000, 23.80053000,04/04/2005,14:51:56,0
TP,D, 38.01278000, 23.80053000,04/04/2005,14:51:58,0
TP,D, 38.01267000, 23.80053000,04/04/2005,14:52:00,0
TP,D, 38.01257000, 23.80053000,04/04/2005,14:52:01,0
TP,D, 38.01246000, 23.80055000,04/04/2005,14:52:02,0
TP,D, 38.01235000, 23.80055000,04/04/2005,14:52:03,0
TP,D, 38.01224000, 23.80055000,04/04/2005,14:52:04,0
TP,D, 38.01214000, 23.80057000,04/04/2005,14:52:05,0
TP,D, 38.01203000, 23.80057000,04/04/2005,14:52:06,0
TP,D, 38.01192000, 23.80057000,04/04/2005,14:52:07,0
TP,D, 38.01173000, 23.80059000,04/04/2005,14:52:09,0
TP,D, 38.01162000, 23.80061000,04/04/2005,14:52:10,0
TP,D, 38.01149000, 23.80064000,04/04/2005,14:52:11,0
TP,D, 38.01139000, 23.80066000,04/04/2005,14:52:12,0
TP,D, 38.01115000, 23.80070000,04/04/2005,14:52:14,0
TP,D, 38.01104000, 23.80072000,04/04/2005,14:52:15,0
TP,D, 38.01094000, 23.80076000,04/04/2005,14:52:16,0
TP,D, 38.01081000, 23.80079000,04/04/2005,14:52:17,0
TP,D, 38.01070000, 23.80081000,04/04/2005,14:52:18,0
TP,D, 38.01059000, 23.80085000,04/04/2005,14:52:19,0
TP,D, 38.01036000, 23.80089000,04/04/2005,14:52:21,0
TP,D, 38.01025000, 23.80091000,04/04/2005,14:52:22,0
TP,D, 38.01014000, 23.80096000,04/04/2005,14:52:23,0
TP,D, 38.01003000, 23.80098000,04/04/2005,14:52:24,0
TP,D, 38.00982000, 23.80102000,04/04/2005,14:52:26,0
TP,D, 38.00971000, 23.80106000,04/04/2005,14:52:27,0
TP,D, 38.00961000, 23.80109000,04/04/2005,14:52:28,0
TP,D, 38.00952000, 23.80111000,04/04/2005,14:52:29,0
TP,D, 38.00941000, 23.80115000,04/04/2005,14:52:30,0
TP,D, 38.00931000, 23.80117000,04/04/2005,14:52:31,0
TP,D, 38.00920000, 23.80119000,04/04/2005,14:52:32,0
TP,D, 38.00909000, 23.80124000,04/04/2005,14:52:33,0
TP,D, 38.00888000, 23.80128000,04/04/2005,14:52:35,0
TP,D, 38.00877000, 23.80130000,04/04/2005,14:52:36,0
TP,D, 38.00864000, 23.80132000,04/04/2005,14:52:38,0
TP,D, 38.00853000, 23.80132000,04/04/2005,14:52:41,0
TP,D, 38.00840000, 23.80128000,04/04/2005,14:52:44,0
TP,D, 38.00834000, 23.80109000,04/04/2005,14:52:46,0
TP,D, 38.00832000, 23.80100000,04/04/2005,14:52:47,0
TP,D, 38.00825000, 23.80081000,04/04/2005,14:52:49,0
TP,D, 38.00821000, 23.80064000,04/04/2005,14:52:51,0
TP,D, 38.00815000, 23.80051000,04/04/2005,14:52:53,0
TP,D, 38.00810000, 23.80036000,04/04/2005,14:52:55,0
TP,D, 38.00806000, 23.80021000,04/04/2005,14:52:57,0
TP,D, 38.00800000, 23.80008000,04/04/2005,14:52:59,0
TP,D, 38.00795000, 23.79993000,04/04/2005,14:53:01,0
TP,D, 38.00793000, 23.79976000,04/04/2005,14:53:07,0
TP,D, 38.00808000, 23.79838000,04/04/2005,14:53:12,0
TP,D, 38.00804000, 23.79819000,04/04/2005,14:53:14,0
TP,D, 38.00797000, 23.79800000,04/04/2005,14:53:16,0
TP,D, 38.00804000, 23.79817000,04/04/2005,14:53:19,0
TP,D, 38.00795000, 23.79815000,04/04/2005,14:53:22,0
TP,D, 38.00795000, 23.79791000,04/04/2005,14:53:24,0
TP,D, 38.00793000, 23.79776000,04/04/2005,14:53:26,0
TP,D, 38.00789000, 23.79765000,04/04/2005,14:53:27,0
TP,D, 38.00780000, 23.79742000,04/04/2005,14:53:30,0
TP,D, 38.00776000, 23.79737000,04/04/2005,14:53:32,0
TP,D, 38.00774000, 23.79722000,04/04/2005,14:53:40,0
TP,D, 38.00770000, 23.79705000,04/04/2005,14:53:42,0
TP,D, 38.00763000, 23.79686000,04/04/2005,14:53:44,0
TP,D, 38.00761000, 23.79667000,04/04/2005,14:53:46,0
TP,D, 38.00757000, 23.79654000,04/04/2005,14:53:48,0
TP,D, 38.00755000, 23.79639000,04/04/2005,14:53:50,0
TP,D, 38.00750000, 23.79624000,04/04/2005,14:53:53,0
TP,D, 38.00746000, 23.79609000,04/04/2005,14:53:56,0
TP,D, 38.00744000, 23.79591000,04/04/2005,14:53:59,0
TP,D, 38.00740000, 23.79579000,04/04/2005,14:54:02,0
TP,D, 38.00737000, 23.79566000,04/04/2005,14:54:13,0
TP,D, 38.00733000, 23.79551000,04/04/2005,14:54:15,0
TP,D, 38.00729000, 23.79540000,04/04/2005,14:54:18,0
TP,D, 38.00725000, 23.79534000,04/04/2005,14:54:23,0
TP,D, 38.00709000, 23.79540000,04/04/2005,14:54:26,0
TP,D, 38.00697000, 23.79546000,04/04/2005,14:54:28,0

TYBOB

2006-12-05T23:29:00.000+02:00

Could they pull the strings? Is it a habitat issue? Free range or a tree? Day or Night?. Nine to five. ..to be strong in the morning. Do you produce for the morning hours?

I wish I could see the yellow birds of Baltimore again.

Video: Asunder [2006]

2006-11-25T02:01:00.000+02:00

Die Ideen der Konvergenz / Neigung und des abschließenden Abbaus, wie zuschreibt hauptsächlich lebend, werden umgewandelt und sind im Rahmen des Filmtextes eingeschlossen. Die Kosten des kompletten Verlustes wird in diesem bestimmten Fall gelöscht wird. Die Musik operiert sich auf eine überraschend harte Versöhnungsweise mit der Konvergenz / Neigung und regt die komplette Aufspaltung an, die tatsächlich die einzige Lösung ist.

The ideas of the convergence / divergence and the final removal, as mainly living attributes, are converted and ensclaved in the frames of the film text. The cost of complete loss is not erased neither in this particular case. The music functions with a hard and surprisingly reconciliative way with the divergence / removal, encouraging the complete decomposition, which is in fact the one and only solution.

Produktionsjahr: 2006
Produktion: You: Coma
Format: miniDV
Video: U. Cassavetes
Musik: BroodingSideOfMadness ("Too Many Video Games / Rotten Brain")

Are we?

2006-11-12T19:36:00.000+02:00

Are we freaks by necessity? What if the precious and imaginary place for your ultimate escape would be turned into a sandcastle? Life's an ocean. Do you have to live in a snake pit to appreciate? Do you count your walking steps? Surely, "there is a rose that I want to live for!"

Video: Deadend On A Friday Night [2006]

2006-10-09T00:14:00.000+03:00

Writer/ Directed: BroodingSideOfMadness
Time: 4.59 min
Production Year: 2006
'VAIA'

Empty Spaces

2006-10-01T20:00:00.000+03:00

Athens, Votanikos, September 2006

Unbiased experiential

2006-09-09T11:13:00.000+03:00

Experiential should be deconstructed and be resynthesized. The process of this circular passage it is not possible to be recorded, because of there are involved so many experiential components. The map for each reader constitutes a personal trip, and it is indubitable that map reading develops feelings, dexterities and intellectual activities beyond the aim for which it was manufactured.

City of Needles

2006-09-02T02:24:00.000+03:00

All the small "Romulus and Remus" nurse from the breast of city in such a way that renders the city a closed system with final conclusion the inevitable decline of our geographic space.

Atticodactyla Sus

2006-08-30T17:37:00.000+03:00

The perspective of a society without any forms of trash

2006-08-26T18:13:00.000+03:00

Ag. I. Rentis, Athens, August 2006
title by Urs.

The fantastic "City Boy" song:

I'm just a city boy
Born and bred
It's a city life I've led
My pasture was a street
I've never climbed a tree
But that's all right with me
'Cause I'm a city boy

I'm just a city boy
Born and raised
From these rooftops I have gazed
Where the grass was made of steel
I've never plowed a field
Until the pavement starts to peel
I'll be a city boy

I'm just a city boy
Born and grown
That's all I've ever known
Where the lights would greet the dawn
There's a factory for a farm
Sure the city has its charm
When you're a city boy

Phil Ochs

Social Network Successfully Verified

2006-08-23T00:26:00.000+03:00

Test Time Window: 5 min // Participants: 3 Persons // Human translation of a greek document to french via MSN.
Packet Volume: 5 words

L' habitant ou encore meme le visiteur distant peuvent recevoir une culture et de la joie par la region.
La ville ou encore meme la nature distante voient la totalite de leurs reserves culturelles epuisees.
De plus, si on s'appuie sur le fait a)que la culture existante provient des habitants , chaque espace geographique citadin entre dans un cercle vicieux de decadence
et b)de l'effort de l'harmonie de la culture qui provient des habitants et des tensions actuelles du tourisme totalitarisme, pour la rendre de plus en plus seduisante pour les visiteurs postulents.

Bsom 2005 (merci G. & R.)

Video: 3rd ADO

2006-08-22T23:32:00.000+03:00

Writer/ Directed: BroodingSideOfMadness
Music: '3rd ADO'
Time: 6.05 min
Production Year: 2004
'VAIA'

Places: Copenhagen, Athens, Nicosia, Salonika. Time: 6mins 14secs
Headscratching travelling salesman problems using 3rd ADO

Ορθότητα χρόνου, αποκτηνωτικοί όροι επιβίωσης, ο χώρος αναδιπλασιάζεται και κατασπαράσσει και την τελευταία ένδειξη ανθρώπινης υφής, ακόμα και τα λευκά πουκάμισα περιμένουν υπομονετικά τον περαιτέρω αναδιπλασιασμό τους, σίγουρα για το διαμεσολαβητικό τους ρόλο σε τέτοιους είδους καταστάσεις πίεσης και συντήρησής της.

The Stencil On The Wall

2006-08-20T22:23:00.000+03:00

Ioannina, Greece, August 2006 (photo: teo_ramones)

Route Jean Crotti > Hans Richter

2006-08-11T11:00:00.000+03:00

Dada Stops / Athens roads

Recommended walk.

Data:

The stops:Les Mamelles de Tiresias C'est mon dada Guillaume Apollinaire Louis Aragon Jean Arp Beatrice Wood Johannes Baader Johannes Theodor Baargeld Hugo Ball Andre Breton Arthur Cravan Jean Crotti Theo van Doesburg Will Dockery Marcel Duchamp Paul Eluard Max Ernst Julius Evola Lyonel Feininger George Grosz Raoul Hausmann Emmy Hennings Wieland Herzfelde Hannah Hoch Richard Huelsenbeck Barry Humphries Marcel Janco Hans Leybold Filippo Tommaso Marinetti Agnes Ernst Meyer Pranas Morkunas Clement Pansaers Francis Picabia Man Ray Georges Ribemont-Dessaignes Hans Richter Kurt Schwitters Walter Serner Philippe Soupault Sophie Taeuber Tristan Tzara Takahashi Shinkichi Tsuji Jun Marius de Zayas

Excerpt from the directions guide: [From Johannes Theodor Baargeld to Emmy Hennings]

73: Άφιξη @ Johannes Theodor Baargeld
74: Αναχώρηση από Johannes Theodor Baargeld
75: Πήγαινε πίσω Νότιοανατολικά στην Λένορμαν
Απόσταση 450.5 μέτρα
76: Στρίψε δεξιά στην Πλατεία Μεταξουργείου
Απόσταση 40.5 μέτρα
77: Αριστερά στην Κολοκυνθούς
Απόσταση 101.4 μέτρα
78: Στρίψε δεξιά στην Μ. Αλεξάνδρου
Απόσταση 50.3 μέτρα
79: Στρίψε αριστερά στην Γιατράκου
Απόσταση 185.5 μέτρα
80: Ευθεία στην Ακάδημου
Απόσταση 94.2 μέτρα
81: Στρίψε δεξιά στην Αγησιλάου
Απόσταση 55.7 μέτρα
82: Στρίψε αριστερά στην Μυλλέρου
Απόσταση 68.1 μέτρα
83: Στρίψε δεξιά στην Τσαλδάρη
Απόσταση 70.4 μέτρα
84: Άφιξη @ Emmy Hennings

Dada Cost distance

All the costs for Agnes Ernst Meyer:

Agnes Ernst Meyer - Agnes Ernst Meyer 0.00
Agnes Ernst Meyer - Barry Humphries 173.51
Agnes Ernst Meyer - Marcel Janco 173.51
Agnes Ernst Meyer - Arthur Cravan 252.86
Agnes Ernst Meyer - Hans Leybold 766.38
Agnes Ernst Meyer - Filippo Tommaso Marinetti 1040.79
Agnes Ernst Meyer - Pranas Morkunas 1048.47
Agnes Ernst Meyer - Guillaume Apollinaire 1200.60
Agnes Ernst Meyer - Georges Ribemont-Dessaignes 1415.72
Agnes Ernst Meyer - Johannes Baader 2093.36
Agnes Ernst Meyer - C'est mon dada 2261.11
Agnes Ernst Meyer - Hans Richter 2261.11
Agnes Ernst Meyer - Lyonel Feininger 2261.11
Agnes Ernst Meyer - Max Ernst 2261.11
Agnes Ernst Meyer - Louis Aragon 2401.36
Agnes Ernst Meyer - Clement Pansaers 2446.56
Agnes Ernst Meyer - Will Dockery 2618.04
Agnes Ernst Meyer - Andre Breton 2799.35
Agnes Ernst Meyer - Raoul Hausmann 2909.35
Agnes Ernst Meyer - Man Ray 2946.77
Agnes Ernst Meyer - Wieland Herzfelde 2969.77
Agnes Ernst Meyer - Francis Picabia 3065.93
Agnes Ernst Meyer - Marcel Duchamp 3078.78
Agnes Ernst Meyer - Hannah Hoch 3302.25
Agnes Ernst Meyer - Paul Eluard 3424.06
Agnes Ernst Meyer - Theo van Doesburg 3446.95
Agnes Ernst Meyer - George Grosz 3777.53
Agnes Ernst Meyer - Hugo Ball 3777.53
Agnes Ernst Meyer - Jean Arp 4032.09
Agnes Ernst Meyer - Emmy Hennings 4048.60
Agnes Ernst Meyer - Richard Huelsenbeck 4159.73
Agnes Ernst Meyer - Beatrice Wood 4207.90
Agnes Ernst Meyer - Les Mamelles de Tiresias 4503.27
Agnes Ernst Meyer - Johannes Theodor Baargeld 5037.22
Agnes Ernst Meyer - Jean Crotti 5639.85

Detailed map of Cost distance

Wendy's Global Jukebox

2006-08-08T00:39:00.000+03:00

For Wendy J.

What ails my senses thus to cheat? What is it ails the place, That all the people in the street Should wear one woman's face? The London trees are dusty-brown Beneath the summer sky; My love, she dwells in London town, Nor leaves it in July. O various and intricate maze, Wide waste of square and street; Where, missing through unnumbered days, We twain at last may meet! And who cries out on crowd and mart? Who prates of stream and sea? The summer in the city's heart-- That is enough for me. Amy Levy

Video: Anglapak [2004]

2006-08-08T00:31:00.000+03:00

Writer/ Directed: BroodingSideOfMadness
Music: 'Anglapak'
Time: 3.36 min
Production Year: 2004
'VAIA'

She's In Hospital

2006-05-28T02:19:00.000+03:00

deeply frightened. we love you. you're gonna be alright

New Wave Party 2006.05.18 @ Keevos

2006-05-12T21:10:00.000+03:00

DJ4 team > 2nd New Wave party @ Keevos bar.
Monastiraki, Athens, 2006.05.18

It's going to be an inner and DJ clash, I presume. One rule: Strictly New Wave 1976-1983 music.

Please click here for details.

What is New Wave for you?

My myspace.com site

2006-05-12T04:12:00.000+03:00

my myspace.com site here

Back to Torture and Slaughter / Nation and me

2006-04-17T00:21:00.000+03:00

Ah, Easter holidays. Normally greeks slaughter thousands of lambs in the name of tradition. this particular time of the year. food orgy is accompanied with trad. sounds of clarinet (i hate it). Anyway, i started working on the M and J project. I googled a lot. found pictures and maps. Those precious handwrited notes again.

First topic to cover is torture. prepared the first 2-4 minutes motion video. Those first minutes will be the historical intro. some snapshots with masks. got postitive feedback .

we don't even have a working title.

Urban Safari

2006-04-09T22:49:00.000+03:00

AOI

Last night? An urban safari by automobile. We traversed the south west suburbs, map free. Me, had a terrible headache. Hammering Metal Barrels. 'Vasilikon' and 'American Ladies' are already geomarked four star roads in my mind. Wish I had my GPS to capture our route. The ugliest part of the city.

Some bars are cesspools

2006-04-06T19:23:00.000+03:00

Some bars are cesspools. Come on, get in, bring your tired bodies and pretend you have a great time for a couple of hours. Leave your human wastes, pint after pint. Do we want to be part of the spectacle of denial and fun? Instead:
Let's go, burning, down the road and invent new urban geographies.

Νιου Γουέιβ πάρτυ 2006.04.06 @ Αλχημιστής

2006-04-02T20:18:00.000+03:00

Our 1st New Wave Party @ Alheemistes , Psirri, Athens [6 April 2006]
Το πρώτο Νιου γουέιβ πάρτυ @ Αλχημιστής, Ψυρρή, Αθήνα [6 Απριλίου 2006]

Free Entrance / Ελεύθερη είσοδος
DJs: G. Ginis, Jimmy Strummer, BroodingSideOfMadness, N. Sarikostas.
We'll cover the 1976-1983 (<-strictly) era / Θα καλύψουμε τη περίοδο 1976-1983 (<-αυστηρά)

Visit DJ4 blog site here. George G. and Jimmy S. posted two articles.

What is New Wave for me? Surely it's G. Maciunas and K. Malevitch's eyes. It's Os Mutantes and the Pop Group. It's the Clash and tropicalia. Oppose to all patriarchs of tagging and question authority.

Playlist for the New Wave Party 06.04.2006

2006-03-29T21:14:00.000+03:00



Artist	Title
2 Timers	Now That I've Lost My Baby
The Au Pairs	You
The B-52's	Give Me Back My Man
The B-52's	Party Out Of Bounds (Version)
Boomtown Rats	24 -Looking After No1
Buzzcocks	Nostalgia
Cabaret Voltaire	Spread the Virus
Can	I Want More
Clock DVA	Sons Of Sons
The Distributors	T.V. ME
Esg	I Can't Tell You What To Do
Felt	My Face Is On Fire
FLYING LIZARDS	MONEY
Furniture	Take A Walk Down Town
Furniture	The Lovemongers
Gang of Four	To Hell With Poverty
Gary Numan And Tubeway Army	That's Too Bad (Single Version)
Glorious Strangers	Move It Time
The Go-Betweens	Lee Remick
Grace Jones	Pull Up To The Bumper
Honey Bane	20-Guilty
Josef K	Sorry For Laughing
Joy Division	Transmission
Killing Joke	Turn To Red
Killing Joke	Love Like Blood
Kleenex/Liliput	Nice
Material	Discourse
THE MEMBERS	SOUND OF THE SUBURBS
The Mighty Wah	Come Back
Mo-Dettes	White Mice
New York Dolls	Personality Crisis
The Nips	Gabrielle
Orange Juice	Falling And Laughing
The Pop Group	She Is Beyond Good And Evil
Public Image Ltd.	10 Death disco
Rip Rig + Panic	Constant Drudgery Is Harmful To Soul Spirit And Health
The Ruts	01 Jah war
Sex Pistols	(I'm Not Your) Stepping Stone
Siouxsie and the Banshees	Playground Twist
Spizzenergi	Where's Captain Kirk
Suicide	Ghost rider
Talking Heads	17 Psycho Killer
Vic Goddard & the Subway Sect	Ambition
XTC	This Is Pop?

Please add your wants.

If Music Could Talk IV 2006: Joe Strummer Tribute Party

2006-03-08T13:19:00.000+02:00

Our annual JS tribute party in 09.03.2006 @ Alchemestes Bar, Psirri, Athens.

DJs: George Ginis, Jimmy S., BroodingSideOfMadness.

17 Days From Now

2005-12-05T01:00:00.000+02:00

Preliminary works began. I've to write down the main guidelines. Contacted three persons. Three articles are being prepared. First Sentences. Society Of Birds. Dionysus Is Arriving.
The last of the remaing priests are preaching the Law. Dionysus Is Back On Earth. Celebrate Him. Feast.

Where Should I Place Pana and Pegasus ? I have to notify them. There Is No Soul Alone. Sleepy Ghost With Yellow Blanket. All Go ToHell. Differential Lives Inevitable Death. Defunct Loves. Too Many Video Games - RottenBrain.

Decide the length. Two discs or one? Decide the pak. Definitely: Black , White and Red.

That old green box is waiting. Don't hesitate to open it. Prepare the Documents.

17 days. Synchronize your watches, you whities.

Jazzacore Vol.I (John Butcher Revisited)

2005-10-28T03:58:00.000+03:00

Prepared Jazzacore Vol.I (John Butcher Revisited) after B's request. He wanted to have his fave artist's album mixed with electronic tracks. I mixed the entire John Butcher's album "London & Cologne Saxophone Solos" (1996) mostly with electrocore. Tracklist:

Some kind of memory John Butcher When Time Became A Lock Mnortham Introduction Prince Far I A thing or two John Butcher Violation 9901 Audioactive Bitniks Slip's Speed Bike (DJ Slip remix) Bottleskup Flenkenkenmike Our man in action John Butcher Apostasy 5xpi Close to reason John Butcher Morning Light Criterion Shrinkdown John Butcher Terror Pop Fdread Chophop Geroyche Speech GW Bush Shiny Metal Rods Aphex Twin (We Begin Bombing In) 5 Minutes Bonzo Goes to Washington Pathologisches Wohl Slackism Im Kaefig LFO Demon Warhead Bong Ra Continuo John Butcher Cerunnos Yen (araknocore0 projekt)+Scarykix Almost secret John Butcher The Vampire Strikes Back Broklyn Beast (doily & Churchshoes) Absolving Order Blaerg Pseudocode Bourbonese Qualk Jah Rastafari Prince Far I Schism John Butcher

Groovy Hairy Men Vol.IV (Go Arty-Farty)

2005-09-26T23:49:00.000+03:00

This is for Chloe's nameday.

Merry Up The God Sons / Gabriel Electrelane / Love To See (Acapella)-JAH Capleton / No Business Shame 69 / Dream Sequence Amon Tobin / Someone Has Prince Far I / S90 Skank Big Youth / Orion Jah Wobble and Bill Laswell / Jah Kingdom Bong Ra / Don't Go (A Capella) Yazoo / Night In Baghdad Laurie Anderson / By Ref Or By Val BroodingSideOfMadness / Tongebirge Kraftwerk / Night In Baghdad Laurie Anderson / Kid A Radiohead / Excerpt From 'For Elsie' The Residents / (We Begin Bombing In) 5 Minutes Bonzo Goes to Washington / Ghosts Japan / Chamber Symphony For Strings O Dimitri Shostakovich / Shut Up (Remix A Capella) Black Eyed Peas / Halfway To A Threeway Jim O'Rourke / Hudson Line Mercury Rev / Abridged Too Far People Like Us / Unseen Sights Alias / Neighborhood #2 (Laika) The Arcade Fire / We Aint Fessin (Double Quotes) Anticon / Rosemary intro DJ Spooky / Naut Humon / Le Segue Camelo Tom Ze / Lingua Ex MAchina remix DJ Spooky / Antipop Consortium: Real is Surreal DJ Spooky / Salvation Train Scotty / Don't Rhyme No Mo' David Holmes / Beauty Unfold Prince Far I / Killa Gorilla Bong Ra / Alive (A Cappella) Beastie Boys / Bonus beat hh baxstudio (stonerock_prod) ill DJ Bax / Strictly Irie Part 1 (Raggacore-Mix) Hetzer / The strangers are tuning Soundtrak Dark City / Warhead Bong Ra / Home Invasion Mixmaster Mike / Give Ear Prince Far I / It's A Fine Day (acapella) Opus III / Boys boys boys Sabrina / Sing It Back Moloko / Cakes The RZA and Wu-Tang Clan / Tenastelin Prince Far I

Coding In Pseudo Code

2005-08-12T17:21:00.000+03:00

Η τελευταία που έχω φτιάξει. Απευθύνεται σε developers και γενικά σε όσους έχουν κλείσει 14ώρο πάνω στο keyboard (απαραίτητη προυπόθεση :-) ). Για ανοικτά μυαλά και αυτιά.

01.Randome 27s Heel - Pimmon
Intro Featuring Crash Crew & Star Wars Theme - DJ Yoda
12 Monkeys OST
02.Traceroute to ww.microsoft.com /meliss /erease yourself - Yppasswdd Daemons
Dune OST
03.Chicken Fetus - Black Pudding
04.System Corrupt Theme - Al Corrupt
05.Overthrowdemdownpressors - Geroyche
06.Dakat Luhring The Badger - D'Kat
07.Pseudocode - Bourbonese Qualk
Contact OST
08.Mars - Pumphead
Contact OST
09.Happy Days Theme - D'Kat
10.When Time Became A Lock - Mnortham
Someone Has - Prince Far I
Dune OST
11.Prelude To A Jellyfish - Live Human
Bombers over South London - DJ Controlled Weirdness
12.Morning Light - Criterion
13.Cerunnos - Yen (araknocore0 projekt)+Scarykix
14.Ultime Instant - Phonoxoid
15.Finetuner - Echorausch
16.Omeko0030062 -Prod
17.Terror Pop - Fdread
18.By Ref Or By Val - BroodingSideOfMadness
19.Chophop - Geroyche
20.Nirvana Trail - Deadly Buda
21.Antivirus - BroodingSideOfMadness
22.Grime sessions 1 - Grim Feast
Dark City OST
23.Happy Ending - White Mellow Bean
Artificial Intelligence OST
24.Camera Obscura Pt2 - Huren
25.1-12 (Sesame Street riddim) - Blaerg
26.Outside - LFO Demon
27.Snot Boy - Anakissed & Parasite
28.Sdml - Electro Organic Sound System

Bastard Mashup Party @ MAD Jan 2005

2005-08-12T17:10:00.000+03:00

Τον Ιανουάριο του 2005 κάναμε με τον Gus Kay το πρώτο bastard mash-up party στο Mad Polystage. Είχα δύο sets. Το πρώτο με μεγάλη διάρκεια και το δεύτερο κατά πολύ μικρότερο. Υλικό είχα bastards που έχω φτιάξει κατά καιρούς, αλλά και τρελλούς συνδυασμούς σε αυτή τη μίξη. Ως βάση είχα τους clash στις περισσότερες επιλογές. Ιδού τα DJ Setlist μου.

UN Speech Haile Selassie Haile Selassie
Money Money Money Parasite
What about Brixton? Loo & Placido
On I Wrong Prince Far I
GunsOfRagga BroodingSideOfMadness
Da Eema Prince Far I
Thunder Weed Deep Acid Dub Jah Acid Dub
This One Prince Far I
09. Cassius Clay Dennis Alcapone
One Step Too Far (Remix) Faithless & Dido
Miss You Aaliyah
Memory Of Trees Enya
Knowledge Is Prince Far I
madonna-ray_of_light
Wacko Macko is Backo (DJ C, Babylon a Fall mix) Eoss
10. 54-46 Was My Number Toots and the Maytals
Jah Rastafari Prince Far I
Mad About You Hooverphonic
Englishman In New York Sting
people Samples
Orinoco Flow Enya
U Know Y London Burns IDC
Lizzy_themusicgettinghotter
03 - Max Romeo - War In A Babylon
tafari Samples
22. KINKY MADONNA pt.2
Block Rockin' Woman (Destiny's Child vs. Chemical Brothers)
WhatYouGonnaPlayNow
people Samples
Strong Like A Lion Parasite
I Just Died In Your Tonight Cutting Crew
Puro Teatro ALMODOVAR
People Are Strange The Doors
Dizzy Gillespie - Manteca
50 Cent
the_rebel Public Enemy
Dreader than Dread (remix) Soundmurderer & SK-1
I want to break free Queen
rastaman Sample
WhatYouGonnaPlayNow
IN YOUR EYES Kylie Minogue
mary j.blige Family_Affair
Rage De Furie One Self
Interlude Beyonce
Hara Shiva Shankara Jai Uttal
Billy Jungle (Version) DJ C
Spanish Bombs (Over Baghdad) Instamatic
Kylie Minogue a capella
The Vibes Capleton and Sizzla
Under Me Sensi Alozade and Hollow
people Samples
Lucy In The Sky With Diamonds The Beatles
Eleanor Rigby The Beatles
tafari Sample
Billy Jungle DJ C
Fischer Mathew
The Vibes Capleton and Sizzla
rub-u-dub Samples
Healing Of The Nation Jacob Miller
Fischer Mathew
Public Dance Floor (Public Enemy vs Sophie Ellis Baxter Bootleg)128 Ultra396
Britneaymanics BroodingSideOfMadness
Britneyredhot BroodingSideOfMadness
Raining Madonna BroodingSideOfMadness
RockfellasBruce BroodingSideOfMadness
On I Wrong Prince Far I
The Phat Conductor Live in Vancouver @ Edit Aug 9 The Phat Conductor
Strictly Irie Part 1 (Raggacore-Mix) Hetzer
Nothing compares 2 you Sinead O'Connor
What Do You Head At (Cropstar) Monaco vs Basement Jaxx
Rockfort "Cowboy Run" Chopstick
Guerrilla Terrorists
Stupid Girl Garbage
Children Of The Ghetto (Blackwing Remix) Waldeck
The Cure Kiss Me Kiss Me Kiss Me
JUST BE GOOD TO PAUL Go Home Productions
No Lullaby - (TLC vs The Cure Bootleg Mix) Ultra396
Wayne And Wax - A It Dat (A Capella)
SLY BEYONCE WALKS LIKE A NERD Go Home Productions
Prodegy vs Beck Soulwax
Rock the Party (Clash vs Pink Bootleg)128 Ultra396
You Know Prince Far I