Lisa Greenaway aka LAPKAT created an amazing remix of album VOX [Ref.025] by CIRCE:The Black Cut Project. Listen to LAPKAT's mix that features tracks from KrAtOS, LAPKAT, 3bc & Asymmetroi Faroi, Kritzkom and my track titled 'Heart Of Darkness'.
LAPKAT is Lisa Greenaway, a radio maker and producer out of Melbourne, Australia. As DJ LAPKAT, Lisa creates lyrical, kinetic mixes of global rhythm and melody, multilingual poetry and story. Spoken word artists, poets, storytellers, griots, emcees, cantati, chanteurs ... stories old and new, lost and found treasures, voices and languages from around the world mixed with music ranging from folk traditions to the cross-cultural collaborations of the global bass movement. Minimal beats made for slow dances, passionate voices and a stream of social consciousness.LAPKAT presents a monthly podcast, 'La Danza Poetica' which is broadcast on Radio Groovalizacion and Chimeres Greece. Featuring poetry, hip hop, folk traditions and global beats, LDP is a deep exploration into the many worlds, one world poetic groove.
I am proud to be participating in the great compilation titled VOX [Ref.025] CIRCE :The Black Cut: project. Listen to my track titled 'Heart Of Darkness' in 'The women of Great River' section. I used Linda's recording talking about her mother.
The album VOX [Voice; Sound; Call; Outcry] is part of the project « circe :the black cut: » and it is compiled by its founder and composer, Anna Stereopoulou. Being the second CIRCE Family Album (after the release of "Vuelo Libre" in December 2014), "VOX" consists of 28 tracks composed by the participants of CIRCE The Black Cut, as well as by the artists who responded to "The Women of the Great River" call-out /playlist of Claudia Wegener's RADIO Continental Drift; guest project of the CIRCE The Black Cut ~ 2nd Presentation (2015).
The 2nd phase of the project (2015), offers "Bees" to all participants, as the new Theme connecting all existing sources of inspiration. Through the present compilation we are invited to join the outward motion which is mostly achieved by the exploration, the acceptance and the unity of opposites. The theme of "Bees" suggests awareness about these essential to the ecosystem, flying insects, and the numerous threats they are exposed to (habitat loss, pesticides, etc.), as well as a paradigm to learn from their way of life, work and communication, in order to become more open and express our Voice, louder and wider, by exiting any kind of cell, which we are forced -by others or by our own selves- to live in. Thus, the transition from the compositions of the CIRCE The Black Cut participants, to the remixes of the artists responding to "The Women of the Great River" playlist, represents the voyage of an out-cry, wrestling to travel, beginning from our roots and our most inner places, through various bee voices helping us to kill our egos, by crossing the "river" or any kind of barrier and expose our feelings free to light. The album is available on Seven Moons as Digital Format and Free Downloading. Album Cover Images by Dom aka Kyriakos Sakellaris ["The Wrestler" Sculpture (detail), Syntagma square (Athens, Hellas) and "Bee" (detail), Skopelos island (Hellas) /[variation of "Fatal" photography artwork, presented at the CIRCE The Black Cut exhibition (December 19-22, 2015, Athens, GR)].
Album Cover Layout by annAStereo.
creditsreleased December 19, 2015
The Women of the Great River guest project
ARTISTS Remixing in Sound Art
• Asymmetroi Faroi [Greece]
• BroodingSideOfMadness [Greece]
• Macussi aka Marcus C. Diess [Austria]
• Sirpa Jokinen [Finland]
• Köhn aka Jürgen De Blonde [Belgium]
• Inge van den Kroonenberg [Netherlands, Belgium]
• DJ Kwe [Canada]
• LAPKAT aka Lisa Greenaway [Australia]
• Anna Leopolder [Germany]
• Barnaby Spigel [UK]
• Ms Soli Tii [Germany/ UK]
• Dixie Treichel [USA]
• Terry Humphrey aka Tunkstore Arts [UK]
• Yes Afrika Women’s Forum [Germany]
ARTISTS Remixing in Visual Art
• Agness Buya Yombwe [Zambia]
• Alma Tischler Wood [UK /Germany]
ARTISTS heard in Source Recordings
• Simudenda Bertha [Zimbabwe]
• Rosemary Cumanzala [Zimbabwe]
• Christine Hankwebe [Zimbabwe]
• Nonhlanhla Mathe [Zimbabwe]
• Barbara Mudimba [Zimbabwe]
• Linda Mudimba [Zimbabwe]
• Abbigal Muleya [Zimbabwe]
• Florence Munsaka [Zimbabwe]
• Mary Munsaka [Zimbabwe]
• Luyando Muyalali [Zimbabwe]
• Janet Mwiinde [Zimbabwe]
• Esnart Mweemba [Zambia]
• Viola Mwembe [Zimbabwe]
• Sihle Ndlovu [Zimbabwe]
• Pupils of Damba Primary School (2012) [Zimbabwe]
• Penny Yon [Zimbabwe]
• Agness Buya Yombwe [Zambia]
An excerpt from the short ethnographic video "Armilla: What grows here", presented on October 23rd, 2015 within the framework of Invisible Cities two-day-conference organised by UOA (Department of Communication and Media Studies) and Italian Cultural Institute, Athens. Shot by O. Kassaveti, M.Katsikana, edited by Y. Roussos, narrated by Zoe Ropaitou and music by me titled 'Armilla'
I am so glad to participate in this amazing compilation titled 'The Music of Ancient gReece: an appReciation' on Surrism-Phonoethics curated by Igor Jovanovic ( LEZET ). My track is titled 'Atermon' and is loosely based on the well known ancient Seikilos melody.
The music of ancient Greece was almost universally present in society, from marriages and funerals to religious ceremonies, theatre, folk music and the ballad-like reciting of epic poetry. It thus played an integral role in the lives of ancient Greeks. There are significant fragments of actual Greek musical notation as well as many literary references to ancient Greek music, such that some things can be known—or reasonably surmised—about what the music sounded like, the general role of music in society, the economics of music, the importance of a professional caste of musicians, etc" (Wikipedia, https://en.wikipedia.org/wiki/Music_of_ancient_Greece).The tracks on this compilation are either covers of the remaining fragments of Ancient Greek music, or a reflection of the participating artists on the cultural legacy of Ancient Greece and an attempt to find the music of Ancient Greece in their own compositional approaches.
Free download. Video for 'We are the dots of a catastrophic umlaut word' EP
(2005-2007 written tracks)
[ET05] An Etched Traumas release
released 06 November 2011
I am more than happy to participate in 'Ombre Et Lumière' compilation on dhatūrā records. My track is titled 'Als de dwaas zou volharden in zijn dwaasheid zou hij wijs worden' (In English: If the fool would persist in his folly he would become wise) a William Blake line out of The Marriage of Heaven and Hell.
A short track based on mostly acoustic sounds and vocals aiming at innate weirdness, generative evolution and 'cyclical' melody. Enjoy. A free download.
Artwork, illustrations: Jean-Christophe Liénard
Proud to be part of LEZET -2''- released with CLASSWAR KARAOKE(UK)! The album contains the EP of 2-second songs 10 remixes/reinterpretations of fellow artists.
Driven by the idea that came from a song I did a while back, I wanted to simply make an EP of 2-second tracks , but it became so much more than that. This idea turned into a collection of 2-second tracks that could be looped and hopefully perceived as genuine microsongs that have a clear melodic or rhythmic centre. It so happened that the stems I made and used on these were given a whole new life by my friends who also happen to be extraordinary music-makers. They provided an entire collection of songs that way surpassed the core EP and made me realise once again that collaboration and exchange are the only real path to music exploration and growth / Igor Jovanovic, March 2015released 27 March 2015
Second TFPOTH party @ ΡΟΜΑΝΤΣΟ with Gazumbi, Mr. Meltin' Pot, Gus Kay and me. Free Entrance. Freestyle, African, Dub, Electrofunk, Afrohouse and Greek dance rarities.
Enjoy my collaboration track "Charcoal Cross" with Walter Fini in Metamorphosis (Μεταμόρφωσις) album on Dhatūrā Records. Free Download
The project started when D@P posted his original sin worldwide, waiting for to be transformed...... It became a sweet ghoul in Hamburg,walked in Saint Jean as a ghost,was reincarnated in black cat in NRW,tuned to firebird in Le Mans and Athensbreathed old ashes in Valparaisao,rose in the lost air of Toulouse,as a phoenix in Québec started to Pb82 2 Au79reborned in Anthens as a new worldand released in a virtual and digital niche in Grenoble.released 08 September 2014
'Speech Rapid Fire' party and another DJ duet night with John Komakino at Some Bizarre. Lots of Cumbia, Post Punk, Dub and Space Disco!
Our live performance with Darkstar83 at Romantso, Athens. Soundboard recording with no overdubs. We're planning to release it via Etched Traumas label soon.
All music written and performed live by BroodingSideOfMadness and Darkstar83Video/Editing/Shots by You:Coma and BroodingSideOfMadnessContains public domain footage from archive.org.
Classwar Karaoke: Classwar Karaoke - 0026 SurveyNew collaboration track with Seicho suru kiwi and Unsample on Classwar Karakoke compilation 26.
THE FOUR POINTS OF THE HORIZONΣάββατο 18 Ιανουαρίου 2014Ρομάντσο – Αναξαγόρα 3-5Ώρα έναρξης: 23.00Είσοδος ελεύθερη
Οι Gazumbi, Mr Meltin’ Pot, BroodingSideOfMadness και Guskay επιστήμονες του ήχου και παραγωγοί του intersonik.net καταλαμβάνουν τα πλατό του Ρομάντσο!
Ένα ηχητικό ταξίδι στα 4 σημεία του ορίζοντα σε μια βραδιά μουσικής ενδοσκόπησης και χορευτικής ανάτασης, που εξερευνά χωροχρονικά τη δίνη της μουσικής και το αέναο στροβίλισμα της!
Free Download : http://etchedtraumas.bandcamp.com/album/a-dying-breed-of-urban-plannersFour tracks EP by BroodingSideOfMadness. Three tracks were written for short films 2007-2009. Track titled 'Heavy' was written in 2005.Sound and video by BroodingSideOfMadnesswww.etchedtraumas.netReleased 23 October 2011
από την "ανοιχτή ομάδα" έρευνας του contact improvisation
Αντί κειμένου .. ένα απόσπασμα από συνέντευξη της Nancy Stark Smith:
"Τι πιστεύεις ότι συγκινεί περισσότερο το κοινό σε μια παράσταση Contact Improvisation ;Νομίζω, η απροσποίητη και ακατέργαστη σωματικότητα και η καθαρότητα που αυτή φέρνει. Ο κόσμος μπορεί να δει αληθινά σώματα, που με το αληθινό τους το βάρος συνδέονται με τις φυσικές δυνάμεις, αφήνονται σ' αυτές, αρπάζονται και παίζουν μαζί τους σε επίπεδο και μυϊκού και νευρικού συστήματος. Είναι εκπληκτικό σε πιο βαθμό μεταδίδεται στο κοινό αυτός το είδος της επικοινωνίας. Πρόκειται για κιναισθητική μετάδοση... Ο θεατής νιώθει το ίδιο του το σώμα... βλέπει σε μικρογραφία την ανθρώπινη φύση, την κίνηση, την διέγερση, την παύση, τα διλήμματα, την συγκίνηση, την ικανότητα... και όλα αυτά σε μια όχι γραμμική, όχι αφηγηματική φόρμα. Και νομίζω ότι ο κόσμος ενδιαφέρεται γι αυτό... μπορείς ακόμα να δεις έναν έρωτα, μια μάχη, είναι σαν να κοιτάς ένα ανοιχτό βιβλίο... και ο θεατής έχει ελεύθερη σχέση μ' αυτό, μπορεί να το δει μπορεί και όχι... Αυτό που σίγουρα μένει, είναι η κιναισθητική μεταβίβαση... αυτό είναι πράγματι πολύ δυνατό..."
σκηνοθεσία και σκηνική επιμέλεια: Δέσποινα Χατζηπαυλίδου
performers: Βίκυ Βασιλοπούλου, Μαρία Καπουράλου, Σοφία Κλήσσα, Μαριάννα Μακρή, Γιώργος Μουρατίδης, Ανθή Μουριάδου,Μαρία Μπονάτου , Δέσποινα Χατζηπαυλίδου.
μουσική σύνθεση: BroodingSideOfMadness
8, 9 Ιουνίου στις 20:30 Dancevacuum, Διογένους 42 Χαλάνδρι
ελεύθερη είσοδος με προαιρετική συνεισφορά